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Analog Audio Inputs
4 x Combination 3-pin XLR and TRS 1/4 inch Jack switchable between +24dB line and mic level with support for +48V phacntom power.
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Blackmagic Design ATEM Microphone Converter
SWATEMTVSTDMC
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ATEM Microphone Converter
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ATEM Microphone Converter, a new audio analog to digital converter that lets customers add additional microphones to ATEM switcher models such as the new ATEM Television Studio HD8. Featuring a MADI connection, it means customers don't have to configure any complex settings because the connection is a simple BNC cable. The design features amazing quality with an extremely low noise floor of -129dBV, a dynamic range of 131 dB(A), low distortion of 0.002% and uniform tolerances across all channels. The design also features an HDMI monitoring output with scrolling waveform displays.
Now it’s easy to expand the MADI input on ATEM switchers so customers can add multiple microphones or external audio mixers. The ATEM Microphone Converter simply plugs into the ATEM Television Studio MADI port, so there's no complex setup required and additional units can even be daisy chained for more sources. Each converter has 4 analog inputs that are mic/line selectable and have 48V phantom power. The design features amazing audio quality with an extremely low noise floor, a wide dynamic range and very low distortion. The design even uses 8 separate ADCs on each separate input that work together to extend dynamic range. There is also an HDMI monitoring output with scrolling audio waveforms.
The ATEM Microphone Converter features a familiar converter based design that has space for the analog electronics required for high quality analog to digital audio conversion (ADC). It features combined XLR/TRS input sockets allowing both XLR or jack cables to be connected. It also includes a MADI output with the converted audio, as well as a MADI input which allows multiple ATEM Microphone Converters to be daisy chained so more than 4 channels of audio can be embedded into a single MADI connection.
The ATEM Microphone Converter’s MADI output embeds the 4 analog inputs as MADI channels 1, 2, 3 and 4. ATEM Microphone Converter also includes a MADI input, which is used to loop multiple converters when customers need more than 4 channels of audio on a single MADI link. This means if a second converter is connected to the input of another, the upstream converter will stack its 4 channels above the 4 channels on the downstream converter.
Each analog input channel has an ultra low noise, fixed gain pre amplifier scaled to drive a high dynamic range audio ADC, which totally eliminates using an analog microphone pre amplifier in the design so the input does not suffer from preamp gain step clicks or "zipper noise". The ATEM Microphone Converter steps outside conventional audio industry design practice of using an individual audio ADC, as each input implements analog to digital conversion using 8 high dynamic range audio ADCs that function collectively as one ultra high dynamic range audio ADC. This means each input channel’s dynamic range is an incredible 131 dB(A).
A common problem with mic converters is the higher noise floor where electrical noise is generated in the preamplifiers. The ATEM Microphone Converter eliminates this problem by using a very different design where the input is converted directly using its ultra high dynamic range conversion so customers pass RAW audio to the switcher where the switcher can then apply as much gain as required for the correct audio level. This means customers don't get an injection of noise caused by an analog gain stage, so customers get an extremely low fixed noise floor of -129dBV regardless of digital gain applied.
With the wide dynamic range input that eliminates the need for an analog pre amplifier, microphone levels are adjusted by a digital pre amplifier gain stage that is extremely stable. Different microphone types and brands can vary widely in analog audio levels, so this digital gain stage allows compensation for the specific brand of microphone customers use. Best of all, the digital pre amplifier is processed in the full internal 32 bit RAW audio bit depth, so users are adjusting with much greater precision than the MADI audio standard can support.
The innovative design of the ATEM Microphone Converter also has other benefits, such as extremely precise matching between input audio channels. The multi ADC per input design technique means that each analog audio input has very similar specifications and tolerances so all input channels are statistically more uniform. Plus the unique 8 ADC input design will maintain a stable and consistent flat noise floor that won't experience the negative effects of noise floor level modulation that traditional staggered ADC designs suffer from.
ATEM Microphone Converter also includes an HDMI video monitoring output so customers can connect a simple TV or computer monitor for a full status display. It includes 4 scrolling waveforms over the last 60 seconds of time, which is both informative and fun to watch. There are also audio meters to show the level at the input connector. There are also indicators to show the switch settings for mic/line input selection and phantom power. Plus if customers daisy chain converters the monitoring output will adapt and display more than 4 channels.
ATEM Microphone Converter Features
Expand audio inputs with ATEM Microphone Converter.
Robust converter style design.
Connects via MADI for multi channel audio.
Extremely low noise floor of -129dBV.
Ultra high dynamic range of 131 dB(A).
Precise input matching and low distortion of 0.002%.
Includes HDMI monitoring output with scrolling audio waveform display.
Now it’s easy to expand the MADI input on ATEM switchers so customers can add multiple microphones or external audio mixers. The ATEM Microphone Converter simply plugs into the ATEM Television Studio MADI port, so there's no complex setup required and additional units can even be daisy chained for more sources. Each converter has 4 analog inputs that are mic/line selectable and have 48V phantom power. The design features amazing audio quality with an extremely low noise floor, a wide dynamic range and very low distortion. The design even uses 8 separate ADCs on each separate input that work together to extend dynamic range. There is also an HDMI monitoring output with scrolling audio waveforms.
The ATEM Microphone Converter features a familiar converter based design that has space for the analog electronics required for high quality analog to digital audio conversion (ADC). It features combined XLR/TRS input sockets allowing both XLR or jack cables to be connected. It also includes a MADI output with the converted audio, as well as a MADI input which allows multiple ATEM Microphone Converters to be daisy chained so more than 4 channels of audio can be embedded into a single MADI connection.
The ATEM Microphone Converter’s MADI output embeds the 4 analog inputs as MADI channels 1, 2, 3 and 4. ATEM Microphone Converter also includes a MADI input, which is used to loop multiple converters when customers need more than 4 channels of audio on a single MADI link. This means if a second converter is connected to the input of another, the upstream converter will stack its 4 channels above the 4 channels on the downstream converter.
Each analog input channel has an ultra low noise, fixed gain pre amplifier scaled to drive a high dynamic range audio ADC, which totally eliminates using an analog microphone pre amplifier in the design so the input does not suffer from preamp gain step clicks or "zipper noise". The ATEM Microphone Converter steps outside conventional audio industry design practice of using an individual audio ADC, as each input implements analog to digital conversion using 8 high dynamic range audio ADCs that function collectively as one ultra high dynamic range audio ADC. This means each input channel’s dynamic range is an incredible 131 dB(A).
A common problem with mic converters is the higher noise floor where electrical noise is generated in the preamplifiers. The ATEM Microphone Converter eliminates this problem by using a very different design where the input is converted directly using its ultra high dynamic range conversion so customers pass RAW audio to the switcher where the switcher can then apply as much gain as required for the correct audio level. This means customers don't get an injection of noise caused by an analog gain stage, so customers get an extremely low fixed noise floor of -129dBV regardless of digital gain applied.
With the wide dynamic range input that eliminates the need for an analog pre amplifier, microphone levels are adjusted by a digital pre amplifier gain stage that is extremely stable. Different microphone types and brands can vary widely in analog audio levels, so this digital gain stage allows compensation for the specific brand of microphone customers use. Best of all, the digital pre amplifier is processed in the full internal 32 bit RAW audio bit depth, so users are adjusting with much greater precision than the MADI audio standard can support.
The innovative design of the ATEM Microphone Converter also has other benefits, such as extremely precise matching between input audio channels. The multi ADC per input design technique means that each analog audio input has very similar specifications and tolerances so all input channels are statistically more uniform. Plus the unique 8 ADC input design will maintain a stable and consistent flat noise floor that won't experience the negative effects of noise floor level modulation that traditional staggered ADC designs suffer from.
ATEM Microphone Converter also includes an HDMI video monitoring output so customers can connect a simple TV or computer monitor for a full status display. It includes 4 scrolling waveforms over the last 60 seconds of time, which is both informative and fun to watch. There are also audio meters to show the level at the input connector. There are also indicators to show the switch settings for mic/line input selection and phantom power. Plus if customers daisy chain converters the monitoring output will adapt and display more than 4 channels.
ATEM Microphone Converter Features
Expand audio inputs with ATEM Microphone Converter.
Robust converter style design.
Connects via MADI for multi channel audio.
Extremely low noise floor of -129dBV.
Ultra high dynamic range of 131 dB(A).
Precise input matching and low distortion of 0.002%.
Includes HDMI monitoring output with scrolling audio waveform display.
Connections
MADI Inputs
1 x BNC supports 64 channel MADI digital audio
MADI Outputs
1 x BNC supports 64 channel MADI digital audio
HDMI Video Outputs
1 x monitor out.
Computer Interface
1 x USB-C with locking screw
Ethernet
Supports 10/100/1000 BASE‑T.
HDMI Output Standards
HD Video Standards
1080p24, 1080p25, 1080p30, 1080p48, 1080p50, 1080p60
HDMI Monitoring
Displays ATEM Microphone Converter name and 4, 8, 12 or 16 audio channels with 60 second waveform history. Also includes individual channel name, VU meters, mic or line level setting and phantom power status.
Audio
ADCs Per Input
8
Digital Preamp
32-bit
Dynamic Range
131dB(A)
Noise Floor
-129dBV
Total Harmonic Distortion at full scale
0.002%
Output Sample Depth
24-bit
Output Sampling Rate
48KHz
MADI Compliance
AES10-2020
Software
Software Control
Mac™ and Windows™ software upgrade via USB or Ethernet.
Internal Software Upgrade
Via downloadable utility application.
Settings Control
Software Settings Control
USB and Ethernet via free software utility.
Hardware Switches
Mini switches for selecting mic or line level and setting +48V phantom power on/off.
Power Requirements
Power Supply
1 x External 12V power supply with locking connector.
Power Consumption
12W max.
Operational Voltage Range
12V to 17.5V DC
Physical Specifications
Environmental SpecificationsOperating Temperature
0° to 40°C (32° to 104°F)
Storage Temperature
-20° to 60°C (‑4° to 140°F)
Relative Humidity
0% to 90% non‑condensing
What's Included
ATEM Microphone Converter
External 12V DC power supply with locking connector and international socket adapters for most countries.
Welcome wallet with QR code for software download
Warranty
3 Year Limited Manufacturer’s Warranty.
The SIAE contribution ex D.Lgs. n. 68/2003 is paid where applicable.
Prices include SIAE contribution ex D.Lgs. n. 68/2003 where applicable.
RAEE contribution ex D.Lgs 151/2005 is paid where applicable without exercising the right of payback.
If you buy a new product of the same type on our site you can get rid of the product that will be collected by specialized operators free of charge at your location and brought to the treatment plant for disposal.
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(notice according to art. 1 comma 1 of DM 8 Marzo 2010 n. 65)
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