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Blackmagic Design Blackmagic PYXIS 12K PL
CINECAMCPYXO12LFPL
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Professional digital cinema camera featuring a full-frame RGBW sensor (36 × 24 mm) up to 12K resolution (12288 × 8040), 16 stops of dynamic range, and a PL mount. Records in Blackmagic RAW with automatic H.264 proxy creation.
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Blackmagic PYXIS 12K is a professional digital cinema camera with a compact and modular design, tailored for all types of productions. The precision CNC-machined aircraft-grade aluminum body is both lightweight and extremely durable. Thanks to multiple 1/4" and 3/8" threaded mounting points and interchangeable side plates, it can be easily customized with accessories such as handles, microphones, SSDs, phones for mobile streaming, brackets, and more. Its compact form factor makes it ideal for mounting on rigs, gimbals, cranes, or drones.
The camera comes in three lens mount versions — L, EF, and PL — making it compatible with a wide range of photographic and cinematic lenses, from Leica full frame to professional cinema glass from Zeiss, ARRI, and Cooke.
At its core is an advanced 12K full frame RGBW sensor (12288 x 8040, 36x24mm) with massive dynamic range and exceptional low-light performance. It allows for open gate 3:2 recording, full-height 6:5 anamorphic shooting without cropping, and Super 35 9K windowed recording, capturing up to 112 fps in 4K or 40 fps in 12K. Its multi-resolution sensor enables shooting in 12K, 8K, or 4K using the full sensor area.
An integrated 4-inch HDR touchscreen provides high-resolution on-set monitoring and playback, while the optional Blackmagic PYXIS Monitor offers a 5-inch 1500-nit HDR touch display with full camera control, multiple mounting points, and clear visibility even in direct sunlight. It’s ideal when the built-in LCD is obstructed by accessories and can double as a director’s monitor or on-set viewfinder.
For handheld or location shooting, PYXIS supports the optional Blackmagic URSA Cine EVF, a high-quality electronic viewfinder featuring a 1920x1080 OLED display, proximity sensor, and precision glass optics with adjustable focus.
Blackmagic PYXIS records in Blackmagic RAW at 12-bit, while also generating H.264 HD proxy files simultaneously. These proxies can be uploaded to Blackmagic Cloud even during recording and accessed immediately by post-production teams. Files can be sent directly to shared folders in DaVinci Resolve, enabling remote editing workflows in real time.
The camera includes dual CFexpress card slots for ultra-fast recording and supports external USB-C drives for extended storage. CFexpress cards are durable and hot-swappable, ensuring continuous and uninterrupted capture.
On the connectivity side, PYXIS includes a 12G-SDI output for clean or overlay monitoring, mini XLR input with 48V phantom power, 10G ethernet, USB-C, and a built-in streaming engine compatible with RTMP and SRT protocols. Live streaming is possible via direct ethernet connection or by tethering a 4G or 5G smartphone for mobile data.
Blackmagic PYXIS 12K PL is a high-end digital cinema camera engineered for seamless integration into any production workflow with its modular design and extensive mounting options. At its core sits a 12K full-frame RGBW sensor (12288 × 8040) with an integrated optical low-pass filter, capturing up to 16 stops of dynamic range with exceptional detail and minimal noise. The aerospace-grade aluminum body features dual hot-swappable CFexpress slots for uninterrupted, high-speed recording. Multiple threaded mounting points and interchangeable side plates allow you to attach microphones, monitors, lights, or additional recorders exactly where you need them. The fixed PL mount provides rock-solid support for professional cine lenses—ZEISS, ARRI, Cooke, and more—ensuring full optical performance. Whether you’re building a compact handheld rig, a gimbal setup, a dolly, or a crane, the PYXIS 12K PL delivers authentic cinematic imagery with ultimate flexibility.
Main Technical Specifications: Sensor and Imaging
| Effective Sensor Surface | Corresponds to 35.64mm x 23.32mm, defined as "Large Format". |
| Individual Pixel Size (Pixel Pitch) | Each photoreceptor (pixel) measures 2.9 microns, contributing to high image fidelity. |
| Lens Mounting System | Professional PL type mount, with support for /i Technology for lens metadata transmission. |
| Electronic Lens Management | Control of iris and focus for compatible PL lenses with electronic functionalities. |
| Dynamic Range Extension | Offers a dynamic range of 16 stops, for detailed rendering in both bright highlights and deep shadows. |
| Native ISO Sensitivity | Native ISO value of 800, optimized to maximize image quality and exposure latitude. |
| Recording Resolution Options | Wide choice of available resolutions, including: 12,288 x 8,040 (12K Open Gate 3:2) 12,288 x 6,912 (12K 16:9 format) 12,288 x 6,480 (12K 17:9 format) 12,288 x 5,112 (12K 2.4:1 format) 9,648 x 8,040 (12K Anamorphic 6:5) 9,408 x 6,264 (9K 3:2 format) 8,688 x 4,896 (9K 16:9 format) 9,312 x 4,896 (9K 17:9 format) 9,312 x 3,864 (9K 2.4:1 format) 7,680 x 6,408 (9K Anamorphic 6:5) 8,192 x 5,360 (8K Open Gate 3:2) 8,192 x 4,608 (8K 16:9 format) 8,192 x 4,320 (8K 17:9 format) 8,192 x 3,408 (8K 2.4:1 format) 6,432 x 5,360 (8K Anamorphic 6:5) 4,096 x 2,680 (4K Open Gate 3:2) 4,096 x 2,304 (4K 16:9 format) 4,096 x 2,160 (4K DCI - 17:9 format) 4,096 x 1,704 (4K 2.4:1 format) 3,216 x 2,680 (4K Anamorphic 6:5) |
| Standard Recording Cadence (Frame Rate) | Project frame rates configurable at 23.98, 24, 25, 29.97, 30, 50, 59.94, and 60 fps. The maximum sensor capture rate is linked to the selected resolution. |
| High-Speed Recording Capabilities | Up to 40 fps in 12K (Open Gate 3:2) Up to 45 fps in 12K (16:9) Up to 50 fps in 12K (17:9) Up to 60 fps in 12K (2.4:1) Up to 40 fps in 12K (Anamorphic 6:5) Up to 50 fps in 9K (Super 35, 3:2) Up to 65 fps in 9K (Super 35, 16:9) Up to 65 fps in 9K (Super 35, 17:9) Up to 80 fps in 9K (Super 35, 2.4:1) Up to 50 fps in 9K (Super 35, Anamorphic 6:5) Up to 72 fps in 8K/4K (Open Gate 3:2) Up to 84 fps in 8K/4K (16:9) Up to 90 fps in 8K/4K (17:9) Up to 112 fps in 8K/4K (2.4:1) Up to 72 fps in 8K/4K (Anamorphic 6:5) |
| Focus Control | Allows focus management with compatible PL lenses that support electronic control. |
| Iris Aperture Adjustment | Manual control via dedicated physical wheel and touchscreen slider for electronically managed lenses; an instant auto-adjustment button is available with compatible lenses. |
| Integrated Display Characteristics | 4-inch LCD monitor with a native resolution of 1920 x 1080 pixels. |
| Display Brightness Level | Luminance of 1500 nits, for excellent visibility even outdoors or in bright ambient light. |
| Display Type | LCD screen with capacitive touchscreen interface for smooth and precise interaction. |
| Metadata Integration and Support | Automatic data reading and population from PL lenses with /i Technology and other compatible electronic lenses. Automatic saving of camera settings, motion sensor data, and digital slate information (such as project, scene number, take, and notes). Custom 3D LUTs can be directly embedded into Blackmagic RAW file metadata. |
| Controls and Operating Interface | Menu navigation via the 4-inch touchscreen. Dedicated physical buttons for direct access to other functions. Three user-programmable function buttons to customize quick access to most-used controls. |
| Timecode Generator Accuracy | High-precision timecode system, characterized by less than 1 frame drift per 8 hours of uninterrupted operation. |
Connection Interfaces
| Video Input Connections | No dedicated video inputs are present. |
| Video Output Connections | 1 x 12G-SDI video output, supporting signals up to 2160p60. 1 x multi-function USB-C port for viewfinder, carrying power, data, video signal, and equipped with a locking connector. |
| Analog Audio Input Connections | 1 x mini XLR connector for analog audio, configurable for microphones with phantom power or line-level signals (up to +14 dBu). 1 x 3.5mm auxiliary stereo input. |
| Analog Audio Output Connections | 1 x 3.5mm stereo jack for headphone monitoring. |
| Reference Signal Connections | Support for Tri-Sync / Black Burst synchronization signals and Timecode input. |
| Computer Interface Connection | USB-C port usable for direct recording to external storage media, PTP camera control, and firmware update installation. |
| Ethernet Network Port | 1 x 10Gb/s RJ‑45 connector, compatible with 10/100/1000/10G BASE-T standards, for high-speed data transfer and remote control functionalities. |
Adherence to Video and Audio Standards
| Supported HD Video Standards | Formats: 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60. |
| Supported Ultra HD Video Standards | Formats: 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60. |
| SDI Standards Compliance | Meets SMPTE 424M, SMPTE 425M (Level A and B), SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1, and SMPTE 2082‑10 specifications. |
| SDI Audio Sampling Standard | Audio sampling rate of 48kHz and 24-bit depth, in line with television standards. |
Integrated Audio Specifications
| Integrated Microphone | A stereo microphone is built-in for capturing ambient or reference audio. |
| Integrated Speaker | Includes 1 x mono speaker for basic in-camera audio monitoring. |
Recording Media and Formatting
| Accepted Media Types | 2 x CFexpress Type B card slots. Additionally, 1 x USB-C port (with transfer speeds up to 10 Gbps) for direct recording of Blackmagic RAW files and their H.264 proxies to external storage units. It is recommended to consult the manufacturer's list of compatible media. |
| File Systems for Formatting | Ability to format media in ExFAT (for cross-platform Windows/Mac compatibility) or HFS+ (optimized for Mac systems) file systems. |
Available Recording Codecs
| Range of Supported Codecs | Blackmagic RAW with Constant Bitrate: 3:1, 5:1, 8:1, 12:1, 18:1. Blackmagic RAW with Constant Quality: Q0, Q1, Q3, Q5. Proxy file recording in H.264 format at 1920 x 1080 resolution, 8-bit with 4:2:0 chroma subsampling. |
Control and Management Options
| External Control Systems | Compatibility with Blackmagic Zoom Demand and Blackmagic Focus Demand systems for camera and lens control from tripod handles. Remote control via iPad, Bluetooth, or PTP protocol over USB for camera management. External control of some settings. Camera integration and control via REST API over Ethernet connection. |
Integrated Network Functionalities
| NTP Protocol for Time Synchronization | The NTP (Network Time Protocol) allows precise time synchronization of the camera's clock when connected to a network that includes an NTP server. |
| Media Management via Web Interface | Using a web browser on a device connected via Ethernet, the Web Media Manager interface allows access to, Browse, downloading, and deleting media files stored on media connected to the camera. |
| File Access via FTP | The FTP (File Transfer Protocol) can be used to download files from storage media connected to the camera. |
| File Sharing via SMB | Enables file sharing over the local network using the SMB (Server Message Block) protocol. |
Storage and Recording Details
| Physical Storage Modes | Two CFexpress Type B memory card slots. One high-speed USB-C expansion port for direct connection and recording to external storage drives. |
| Estimated Data Storage Rates (at 24 fps) | Estimated write speeds are calculated for a frame rate of 24 frames per second: Resolution 12,288 x 8,040 (12K) Blackmagic RAW 3:1 - approx. 1,194 MB/s Blackmagic RAW 8:1 - approx. 448 MB/s Blackmagic RAW 12:1 - approx. 299 MB/s Blackmagic RAW 18:1 - approx. 199 MB/s Blackmagic RAW Q0 - estimated range 398 - 1,433 MB/s Blackmagic RAW Q1 - estimated range 326 - 796 MB/s Blackmagic RAW Q3 - estimated range 179 - 448 MB/s Blackmagic RAW Q5 - estimated range 120 - 358 MB/s Resolution 9,408 x 6,264 (9K) Blackmagic RAW 3:1 - approx. 714 MB/s Blackmagic RAW 8:1 - approx. 268 MB/s Blackmagic RAW 12:1 - approx. 179 MB/s Blackmagic RAW 18:1 - approx. 119 MB/s Blackmagic RAW Q0 - estimated range 238 - 857 MB/s Blackmagic RAW Q1 - estimated range 195 - 476 MB/s Blackmagic RAW Q3 - estimated range 107 - 268 MB/s Blackmagic RAW Q5 - estimated range 72 - 214 MB/s Resolution 8,192 x 5,360 (8K) Blackmagic RAW 3:1 - approx. 533 MB/s Blackmagic RAW 5:1 - approx. 320 MB/s Blackmagic RAW 8:1 - approx. 200 MB/s Blackmagic RAW 12:1 - approx. 133 MB/s Blackmagic RAW Q0 - estimated range 320 - 639 MB/s Blackmagic RAW Q1 - estimated range 228 - 533 MB/s Blackmagic RAW Q3 - estimated range 133 - 400 MB/s Blackmagic RAW Q5 - estimated range 100 - 266 MB/s Resolution 4,096 x 2,680 (4K) Blackmagic RAW 3:1 - approx. 135 MB/s Blackmagic RAW 4:1 - approx. 101 MB/s Blackmagic RAW 5:1 - approx. 81 MB/s Blackmagic RAW 6:1 - approx. 68 MB/s Blackmagic RAW Q0 - estimated range 202 - 336 MB/s Blackmagic RAW Q1 - estimated range 135 - 311 MB/s Blackmagic RAW Q3 - estimated range 101 - 238 MB/s Blackmagic RAW Q5 - estimated range 81 - 202 MB/s |
| Recording Format Specifications | Recording in Blackmagic RAW format (with compression ratios 3:1, 8:1, 12:1, 18:1; or constant quality Q0, Q1, Q3, Q5) utilizing the full sensor resolution (horizontal or vertical) for the following file dimensions: 12,288x8,040, 12,288x6,912, 12,288x6,480, 12,288x5,112, and 9,648x8,040. These modes offer a choice of Film, Extended Video, or Video dynamic range, and allow a custom 3D LUT to be embedded in the metadata. Simultaneous recording of proxy files in H.264 format at 1920x1080 resolution is supported. Recording in Blackmagic RAW format (ratios 3:1, 8:1, 12:1, 18:1; quality Q0, Q1, Q3, Q5) in Super 35 windowed mode (using a reduced sensor portion) for the following file dimensions: 9,408x6,264, 8,688x4,896, 9,312x4,896, 9,312x3,864, and 7,680x6,408. Dynamic range options, embedded 3D LUT, and H.264 proxy recording are maintained. Recording in Blackmagic RAW format (ratios 3:1, 5:1, 8:1, 12:1; quality Q0, Q1, Q3, Q5) with downscaling from full sensor resolution to the following file dimensions: 8,192x5,360, 8,192x4,608, 8,192x4,320, 8,192x3,408, and 6,432x5,360. Dynamic range, 3D LUT, and H.264 proxy options remain available. Recording in Blackmagic RAW format (ratios 3:1, 4:1, 5:1, 6:1; quality Q0, Q1, Q3, Q5) with downscaling from full sensor resolution to the following file dimensions: 4,096x2,680, 4,096x2,304, 4,096x2,160, 4,096x1,704, and 3,216x2,680. Dynamic range, 3D LUT, and H.264 proxy options are also available. Disclaimer: Storage speeds indicated for Constant Quality (Q) modes are to be understood as reference values. The actual data write speed may differ based on the complexity and nature of the recorded subject. |
Included Software Package
| Supplied Software | Blackmagic OS (pre-installed on camera) Full license for DaVinci Resolve Studio software (for Mac and Windows platforms), supplied with activation code Blackmagic Camera Setup utility software for configuration Blackmagic RAW Player application for RAW file playback Blackmagic RAW QuickLook Plugin for quick preview on macOS systems Blackmagic RAW SDK (Software Development Kit) for developers Blackmagic RAW Speed Test utility for storage media performance verification |
Operating System Compatibility
| Apple macOS Platforms | Requires macOS 14.0 Sonoma, macOS 15.0 Sequoia or later operating system versions. |
| Microsoft Windows Platforms | Compatibility assured with 64-bit versions of Windows 10 and Windows 11. |
Power Supply Requirements
| Included External Power Supply | 1 x external 18V DC power supply unit, rated at 90W. |
| External Power Input Connector Type | 1 x 2-pin Lemo connector, equipped with a locking system for a stable and secure connection. |
| Compatible Batteries (Optional) | Supports the use of standard BP-U series batteries. |
| Power Supply Voltage Range | Accepts DC input voltages between 12V and 18V. |
Optional and Compatible Accessories
| List of Separately Available Accessories | Blackmagic URSA Cine Handle (Professional Grip) Blackmagic URSA Cine EVF (Advanced Electronic Viewfinder) Blackmagic PYXIS Rosette Mounting Plate Blackmagic PYXIS Dedicated Monitor Blackmagic PYXIS Monitor Full Kit Blackmagic PYXIS Monitor EVF Kit |
Environmental Usage Specifications
| Operating Temperature Range | Optimal operation guaranteed within a temperature range of 0°C to 40°C (corresponding to 32°F - 104°F). |
| Storage Temperature Range | Recommended storage temperature: from -20°C to 45°C (corresponding to -4°F - 113°F). |
| Permissible Relative Humidity Limits | Operation in environments with relative humidity from 0% to 90%, non-condensing. |
Standard Package Contents
| Blackmagic PYXIS 12K PL camera body Protective cap for PL lens mount PYXIS Standard universal mounting Plate PYXIS SSD dedicated mounting Plate 90W power supply with locking safety connector and set of international mains adapters Welcome information booklet and quick start guide Serial code for activation of DaVinci Resolve Studio software license |
Product Warranty Conditions
| Statutory and Manufacturer Warranty Coverage | The product is covered by a limited manufacturer's warranty for a period of one (1) year from the date of purchase. |
The SIAE contribution ex D.Lgs. n. 68/2003 is paid where applicable.
Prices include SIAE contribution ex D.Lgs. n. 68/2003 where applicable.
RAEE contribution ex D.Lgs 151/2005 is paid where applicable without exercising the right of payback.
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(notice according to art. 1 comma 1 of DM 8 Marzo 2010 n. 65)